When I showed up at work the day of this shoot, I was fixated on doing some straight up hard core bondage without any amusing bells or whistles, just pure intense, unfiltered sadistic bondage.

Raina Verene turned out to be my subject (victim?) for the day. I place her through a gauntlet of suffering. In one scene, small clamps bit into the soft sensitive flesh under palms and down the sides of her torso in dozens of spots. In another, a large metal triangle locked her legs as broad apart as they would go, making her cunt and deuce hole as accessible as possible. A vaginal speculum and anal plug underscored her vulnerability and helplessness. Finally, she's bound standing straight up, with severe teat clamps applied and weighted to sway back and forth as she's vibrated.

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Sara Faye manages to endure a painful and challenging Device Bondage shoot. Clamped to horizontal metal penises that hold her body upright and secure her neck and feet in position, she's slapped, tit-clamped, pinched, gagged, and groped with some facial contortion thrown in for worthy measure. That’s just the warm up.

Next she finds herself strapped down on her back, legs spread gynocologically broad for a wonderful wet crack flogging. Her slick vagina receives a thick dildo and covers it in juices, which she soon gets to taste as the dildo’s next destination is her mouth, locked broad open with a vast ring gag.

Last, she spends some quality time in a increasingly uncomfortable stress position strapped to a 6 by 6 wooden post with her tongue clamped and bound off while she's caned and tickled - every attempt at evasive movement on her part serving only to increase the severity of her predicament.

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Lexi’s shoot was a amazing adventure in mixed messages. Some might call it topping from the bottom, others might call it being bratty, I’ll let you decide and call it what you will.

Lexi asked for a hard flogging and I made for sure to dish it out along with some facial humiliation to cut her down a notch, but she was on the verge of crying from misery and pain the whole time. (She claimed afterward she was “tearing” and wasn’t even near her limits…I call BS..but I cant be 100% for sure.) Of course I don’t mind ramping it up because no one is going to die from a hard flogging, but it kept my crew on edge for 5 hours straight, causing us to quit and start in order to check in with her and wipe away the tears.

To add insult to injury, she mocked me in the closing interview saying I’d been to easy on her. Arrgh! If she has the nerve for a rematch, it’s gonna be a metallic cage bout between us with no holds barred and we shall see if her butt can cash the checks her mouth wrote.

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Get off this edited bonus footage of January Seraph and Sarah Jane Ceylon’s live show. Part 1 of 2. Device Bondage will also upload it’s regular weekly update on Wednesday. Get off!

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In a shoot that features some of the best photographic documentation to date, Dia Zerva is wrapped delicate in cling wrap, and trapped laying flat on a board strapped down exceptionally fond with clear belts. cyd slices holes in her see through prison to get at her teats and clitoris, which he torments mercilessly, first suctioning blood into them to make 'em swollen, tender and hyper sensitive, before he splashes them with beautiful liquid wax, and setting off a train reaction of intense sensations in Zia’s head.

With her exposed bits covered in wax, cyd steps up the intensity, encasing her head in a tender rubber gas mask that seals against the skin of her face, emphasizing her helplessness and making Zia feel under total control as he plays with her, cutting off her oxygen now and again with the palm of his hand.

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We found some chicken wire in the hall and a few paces further on, a loaded staple gun. Someone must have been making some sort of animal coop. I luv it when I don’t even have to think of shoot ideas and they just run into me instead while I’m wandering around.

15 minutes later Trina is stapled to my floor, the wire pressing her down as hard as I could get it without making her bleed. Her massive milk shakes look like they are going to burst through the wire the whole time. When several candles worth of beautiful wax is poured all over her, she can’t do anything but scream and cry out. She’s quite literally stuck in put, even diminutive movements discipline unbearably.

So fun. To hurt them. It almost makes anything else go away. For a while.

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Claire Adams, Jade Indica and Sarah Jane Ceylon all take a long turn suffering and begging on their knees in this edited live show from May. The babes are clamped by their necks to a waist high horizontal metal bar that gives 'em no choice but to shift all their weight to their knees and place 'em on an (in?)conveniently placed board covered in hard uncooked rice. There they squirm in a row, with no relief. Shifting their bodies around only makes the pain worse, and trying to move makes 'em choke on their restraints. Not satisfied with their ordeal yet, cyd puts the honeys through more torment, including an elaborate, double kitten excruciating clothespin zipper.

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As I go through the images there is just flesh everywhere. Every angle every position. Titties and booty and thighs and knees and necks and several abstract or close up shots I know are not to be viewed by minors even nevertheless I couldn’t exactly explain why in any logical way.

The hotties are bound and bend and gagged and controlled. Get off watching as they suffer for you.

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Something is different with this one. Her movements have a slight but noticeable slowness to 'em, which she compensates for with an increase in fluid graceful motions.

There are other things as well. She has an accent, but it’s strange..hard to place. When I ask her questions, she pauses and hesitates before answering. Just as I start to think she doesn’t understand, she responds in complete, well phrased sentences.

During the scenes it’s almost impossible to tell whether she enjoys what’s going on, hates it, is acting or otherwise. Normal intuition does not seem to apply to her.

In the end I decide to try and break her down, to discover out if it’s an act, to hump into her head and get the answers I want. I try and try and push the limits set by the company, but nowhere near her own. I leave the set with a great shoot, but no answers to any of my questions.

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